Feedback – you can run from it but you can’t hide!

Submitting your work for feedback is like putting your heart in someone’s teeth. If you’re lucky, they’ll hold it gently in their hands. If you’re not so lucky, they’ll bite down and make it bleed. But if you’re REALLY lucky, they’ll take the time and effort to help your work be the best it can be, even if it means tough love. And there’s a reason why they call it tough – it ain’t easy to take.

But before we chat tonight about receiving feedback, I’d like a word about GIVING it. I admit, I didn’t know how to give it at first. I was one of THOSE people who coated others’ work with so many comments, it looked like a sea of red by the time I was done. I was brutal. And I definitely owe some people formal apologies for the feelings I hurt. I was new, and I didn’t understand what good feedback meant.

Here’s my understanding now of what good feedback means, or at least the kind I like to get:

Good feedback does not mean taking the person’s work and nitpicking it until you’re trying to make it your own. That’s not feedback, it’s rewriting, and it’s rude. (See the guilty sign on my back…)

Good feedback also does not mean sugar coating – telling someone glowingly how wonderful their work is without any critique. That is shallow and superficial and unhelpful. (I’ve done that too, out of laziness.)

Good feedback, great feedback, falls in the middle. It means taking the time and care to highlight in detail the strengths of a writer’s work. Because let’s face it, most of us don’t know what our strengths are, and it’s important that we know what we do well.

It also means giving the attention to make constructive, deliberate critiques. To look carefully at a writer’s work and find the potential that has yet to be realized. Great feedback is given with respect and wanting to bring the work to a higher level. It’s given with a belief in the other writer’s ability and the integrity of their story.  It’s investing the time and effort to uplift the work, not degrade it.

Great feedback is a giant compliment of YOUR WORK IS WORTH MY TIME. Accept it with grace, consideration, and discernment. Having the dedication to take every piece of it seriously is a hallmark of a great writer.

Given compassionately and well, great feedback is the foundation of building the great relationships we have going in this wonderful community of ours.

Looking forward to hearing your insights on receiving feedback!

See you at 7pm EST on #RWChat.

~Robin Lovett

 

 

Coming Aug 21st…Feedback Etiquette

RWchat feedback etiquette August 21One of the hardest things for us as writers is to take our hands off the keyboard and let someone else view our work. However, before it’s ready for public consumption, we need to make use of critique partners (CPs), alpha and beta readers, writing groups, and of course, editors. With online writing forums, contests, and the ability to connect with other writers on Twitter and other platforms, finding CPs, beta readers, and editors for hire has never been easier.

But what do you do with all the feedback? How do you decide what comments to keep and what to toss? And worse, what if the feedback brings you down? We’ll talk about these dilemmas and more during the next RWchat on Sunday, August 21st, 7pm EST. See you then!

~Alexis Daria

Core Story—Wtf is that?

The first time I heard about core story, it was at RWA 15 in New York. I got to hear about it from my romance writer hero, Jayne Ann Krentz. (She’s pretty much the author and the person I want to be when I grow up, but we can fangirl about it another time, because Robin and Alexis will probably shank me if I don’t put a blog up soon.)

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Jayne Krentz is my hero. She can be your hero too, if you want. I’m willing to share.

If you follow Jayne at all, you know she has a boatload of pen names. Seven in total, although three are currently active. I found her through Amanda Quick, firmly solidifying my love of historical romance. She pioneered the futuristic/paranormal genre as Jayne Castle, and she freaking kills it under her own name writing contemporary suspense.

Hearing about core story from Jayne Ann Krentz was amazing because…homegirl knows. When you write that many genres under that many names, you find out who you are as a writer. You find out what the heart of the story you’re trying to tell is. I can’t remember what she said her core story was—she said it, I just can’t remember—and I’m not willing to tell you what I think it is. But I know what mine is, so I’ll tell you about that.

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Coming Aug. 14th… Core Story

RWchat Aug 14“Telling the story only you can tell” ~Kimberly Bell

We all have themes. Things that replay in your writing from story to story, almost subconsciously. Threads that carry through no matter the changes in subgenre or setting – whether you know it or not. On our next chat, we’ll talk about what a core story is and how to identify yours. Because the better we know our own story, the better we can make it shine.

See you Sunday at 7pm EST!

~Robin Lovett

From Graphic Novel to Manuscript

Here at #RWChat we’re all about hearing other people’s stories, so we’ve invited Shea Standefer to tell us about her first novel, which started life in comic form.

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Shea Standefer author picHi, I’m Shea! I’ve been invited to write about how I took my idea for a graphic novel and turned it into a fully-fledged, #PitchWars-ready manuscript!

When I was in college, I was heavily into the comic book scene and I spent a lot of time doodling my own short stories. One class in particular led me to illustrating a 30-page comic, which ended up being the basis for my current manuscript, DEFINING LINES.

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Coming Aug. 7th…”Perfect” Protagonists

RWchat Aug 7Romance readers love powerful protagonists, heroes and heroines who can solve their own problems and overcome any obstacle. Yet, we want our characters human too, which means they have flaws.

As romance writers, how do we balance the need for flaws and fearlessness in our characters? How do we walk the line between challenging our readers with character flaws and giving them the all-powerful characters they want?

Join us with your ideas, join us with questions. See you Sunday at 7pm EST!

~Robin Lovett

 

My Clique

Here at #RWChat we’re all about hearing other people’s stories, so we’ve invited LaQuette to tell us why having a writing community is so essential.

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As a writer I require solitude in order to write. Whether that solitude comes from locking myself into my office, or sitting on the couch with my ear buds in and music blasting as my kids play on the living room floor, it doesn’t matter. If I’m going to write, I have to hear my own thoughts to create.

Yes, I need solitude. However, I cannot be continuously alone and successfully tap into my creativity. What’s the difference? Solitude is taking a few moments without distraction to focus on my internal thoughts. Once my work for the day is done, then my need for solitude is completed as well. However, being alone means to have no one, at all, ever. This state of being perpetually alone can be unhealthy for the writer’s mind as well as career. If you’re going to succeed as an author, you’ve got to have a community, a tribe of your own.

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Coming on July 31st… Your First Novel

RW chat July 31 talking about your first novelRemember the first one? Not the first one you published or edited, but the very first one. Or maybe you’re working on it right now!

What got you started? We all start writing for lots of different reasons, but what got you going from the beginning? How much have you learned since then? How is it different from what you’re writing now? And if you’re still writing your first… how’s it going?

Come share your stories or come with questions! Sunday at 7:00pm EST.

~Robin Lovett

The Beauty of Contests

Here at #RWChat we’re all about hearing other people’s stories, so we’ve invited Laura Brown to tell us why she’s participated in writing contests, as a writer and as a mentor.

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I just love writing contests and have been involved on both sides: as an eager entrant and as a judge/mentor. The reason I’m doing the latter is because of how much I learned from the former.

Simply put: I owe everything to contests, directly or indirectly. Contests took me from writing in solitude, to meeting my first critique partners, to learning the basics of the craft. Many contests use twitter hashtags to spread information and knowledge. It’s an excellent way to learn and improve, even if not picked as a finalist.

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On July 10th: The Full Time Writer

We all have to make money somehow. How amazing would it be to do it with writing?  It’s not a one book and accomplished kind of thing. The transfer from part-time writer to full-time writer is one we dream of, but how is it done?

Come chat with us about your journey to being a full time writer.

See you Sunday 7pm EST / 4pm PST!

~Robin Lovett