In September of this year, I signed an agent. I’m giddy. This is a major milestone in my career, the goal I set for myself in February 2016, and I did it in seven months. I celebrated. I have a beautiful fountain pen as a congratulatory gift from friends. I watched all my plans for the last quarter of 2016 get upended and now I am on a different path.

I feel trepidation, because I don’t know where I’m going. I mean there I was, hoping for an agent (and putting in the work to get one) and dreaming about getting a deal on my fantasy novel, WITCHMARK. I worked hard on that story, revising it and revising it again during FicFest with Michelle Hazen. I had sent it out to agents, and I was just at the point where there was nothing left to do but wait.

But while I was waiting for that to come back, I wrote IRL. It’s a contemporary romance about a game designer and an actor cast as the character she’s designing. I don’t think I could have written something more opposite day if I *tried.* And now I don’t know what I’m gonna do with this book, or where it belongs .

I wasn’t thinking about my career direction. I was going in all directions, free to pursue this or that, like the college student enrolled in general studies to discover what ignites her interest. But getting an agent has brought me back down to earth. The game has changed, and I’m now wondering, “Where do I want to go from here?”

So many questions, so many decisions. I’m thinking about what I want to write, what sort of deadline schedule I want, where I stand on the continuum of “commercial” and “artistic” and finally, finally I’m starting to understand why thinking about your brand matters. I thought I had time to think about that later.Well, later is here.

One question I’m pondering is, “Whose writing career do you want?” It’s a hard question! Because of course my path is going to be unique to me, and so I don’t really want to copy any one writer’s career exactly. But I am thinking about my influences and how they shaped the way I tell stories – do they have insight on the way I move forward? Writing is a long game and it doesn’t end with this one book. Now I have to write more, and what I write will shape my brand and build my audience.

The only thing I know for sure is future books will have kissing. How could they not?

Graphic by Alexis Daria

Whose writing career do you want?

That’s right. Think about it, what writer has the career you dream about having?

Now let’s make it happen!

Join us next Sunday with your dream career in mind, and we’ll chat about how we can turn our dream careers into reality.

~Robin Lovett

First, second, third. I, you, she. Deciding what point of view, the POV should be for our novels isn’t easy. There are three types to choose from, but there are more choices for depth. These days, romance readers like to read so close to their characters, it’s like they’re experiencing it themselves. We constantly hear how we should write Deep POV. But how do we do that?

Join us to chat about it! Sunday 4pm PST, 7pm EST.

~Robin Lovett

I don’t trust plot bunnies.

A long time ago, I was trying to write an early Victorian/late Regency romance about two sisters (of six sisters, for the sake of series potential and the nod to Jane Austen.) Elder Beatrice was trying to make a good marriage in all the usual places in the London Season, and younger Alice was impersonating her twin brother in order to prevent the property from going to an uncle while gambling to keep them in funds.

One day the inspiration wasn’t all that hot, but I had the itch to write anyway. I asked for a writing prompt from a friend who asked me to write about a particular fanfic pairing and coffee. That two word prompt sprawled into a 120k fanfic about a piano prodigy who leaves the shelter of his religious cult to study music and falls in love with his roommate, a cellist with an anxiety disorder and an obsession with rope bondage. (I’m not joking.) it’s a huge mess narratively but my most popular story, with close to 50k hits on Ao3.

Beatrice and Alice never even made it to Almack’s.

My plotbunnies have an evil sense of timing. They wait until my manuscript feels like that roommate who leaves their discarded clothes on the bathroom floor and drinks milk straight from the carton. That’s when I usually get an idea, a shiny enticing neat idea that’s so much better than that slobby idea that leaves dirty socks on the floor.

Here’s the dilemma. If I follow the bunny, I leave partial manuscripts behind. But when I scribble them down and leave them in the bunny folder, the idea doesn’t have the life it had when it was tempting me away from a manuscript that wasn’t all wine and roses.

I can’t afford to linger with the idea that tries to tempt me away from finishing a book. But I’ve never had another story like the one I wrote when I threw away my orderly plan and ran off with the idea that came when I was struggling. When that plotbunny comes, I am so tempted. I wish they would behave a little better and wait their turn instead of flashing those big soulful eyes in the middle of a project.

~ C.L. Polk

You know, Plot Bunnies? The cute little ideas that show up when you least expect. Most often when you’re in the middle of desperately finishing another book, and out pops this shiny new idea. It bites at your heels and screams, “Write me, write me!”

It won’t let you ignore it and finish your other project, and worse, if you forget about it, you risk losing it completely because… what if this plot bunny is actually a better story than the one you’re trying to finish?!

Hence, the need to discuss the delicate, nagging, often torturous plight of caring for plot bunnies.

See you Sunday at 7pm EST, 4pm PST!

~Robin Lovett

I blame Disney for the mess that is my early romantic relationships. Also 90’s era romance novels, but I think they can blame Disney too so they get a pass.  I don’t blame Disney 100%—and I think they’re trying to fix it (yay, Tangled!)—but I blame them a lot. And, in the interest of snowballing the change I think they’re trying to implement, I’m going to tell you why.

Let’s start with the Little Mermaid. Probably my favorite Disney movie growing up. It came out when I was five. This is a very formative time in a girl’s life. You’re finally almost a person with thoughts and words, but you’re still an idiot and super impressionable.

Continue reading →

Hook, hook, hook! Not as in Captain Hook but not too far from it. We have to hook readers with our story, but how do we do it? From the blurb to page one to page fifty, our job is to hook the romance reader into opening the book and then turning the page again and again.

Come talk with us about what hooks have worked for you or what trouble you’re having with hooks. Maybe we’ll uncover the secret of luring the reader hook, line and sinker.

See you Sunday!

Thanks for an awesome chat on Voice tonight. Everyone had lots to say! (Pun intended :))

Next week we’re delving into something dark and terrible, something that every writer has experienced: What do you do when you’re totally hating on what you’re writing? Or are you the kind of writer this never happens to? (If so, please come tell us your secret!)

But if you’re like so many of us there are days, hours, weeks, months, where what’s happening in your current WIP just…looks like something you’d rather send to the scrap pile than let someone else read it. What do you do? How do you get through it?

Come with your questions, come with your woes, but most importantly, come to chat.

See you next Sunday!